Influence of language Essay Example | Topics and Well Written Essays - 1250 words

Influence of language - Essay Example The language was much more formal than she could ever think of making at home. Tan recognizes that scripted English or the English used to address a large group of professionals greatly differs from the language she talks to her loved ones with. Although both are generally recognized as English, yet she is much more careless in the use of tenses, the pronunciation and the selection of words while talking to her husband or her mom than she is while talking to the outsiders. That is indeed true! Our English at formal gatherings is way different from what we speak in our homes. In fact, the level of formality we maintain in our expression accords with the degree to which a certain occasion is formal. Thus, I am not at all formal while addressing a crowd at a birthday party but I am formal to my utmost capacity while addressing a speech in the school. In Tan’s case, the difference in English was found to be characterized by the difference of relationship she had with people she talked to at different points in time. This made the English she used while talk ing to her loved ones, more of a language of intimacy than Standard English language. Tan talks about her mother’s English and discusses it with reference to a passage based on her direct quotes. Tan’s mother’s English in no way, conforms to the formal standards of English grammar. This contrasts with the fact that she is a regular reader and viewer of famous English novels and programs. Yet Tan says that the way her mother spoke helped shape her imagination because her mother made frequent use of imagery in her browbeaten English. Tan says that people including herself have conventionally tried to judge her mother’s ideas and thoughts by the quality of her language. Since her English was poor, nobody ever took her seriously. In order to make people take her seriously. This is an unfortunate reality of our society and is also a prime

Studies in International Film Critical Analysis Essay

Studies in International Film Critical Analysis - Essay Example They produced films which were dream like with flawless linear narrative and with little relation with the realities of life outside the theatre. They conceived of a star system to help the marketing of these films. Hollywood films were exported all around the world and just after the World War 1 Hollywood Cinema was the major influence in the world of cinema globally. Both the German expressionism as well as the Soviet Montage movement countered this Hollywood supremacy and its concept of Cinema. The Soviet Montage: Cinema had evolved a language through the classics of Edwin Porter (The Great Train Robbery – 1905) and D.W Griffith (Birth of a Nation -1915), both of course from Hollywood. But it was the era of silent Soviet cinema of the 20s that gave this language a grammer.The grammer is decided by the director and not by the actor. Actor, unlike in the Hollywood star system was yet another object in front of the camera. After the 1917 October revolution, young film makers i n Soviet Union, began working on building a new cinema for the new society. They experimented with the camera and with the shots on the edit table. Lev Kuleshov (1899-1970) was the leader of these experiments in the State Film School. His famous experiment with the stock shot of the face of the actor Ivan Mosjoukin proved that a single shot generated no particular meaning. Two shots juxtaposed and clashing with each other generate a concept or idea in the mind of the spectator. Thus cinema happens not on the screen but in the mind of the spectator. Sergei Eisenstein, the most famous disciple of Kuleshov, clarifies it like this: â€Å"A work of art understood dynamically is just a process of arranging images in the feelings and minds of the spectator (Word and Image, Film Sense PP 17). Vsevolod Pudovkin (Mother -1926) and Dziga Vertov (The Man with a Movie Camera -1929) were the other disciples of Kuleshove. Battleship Potemkin: Sergei Eisenstein is not only a master film maker, but also one of the most prominent film theoretician in the history of world cinema. He developed the concept of montage further and found out five different types of montage possible-- Metric Montage which concentrates on the contradictory lengths of the shots, Rhythmic Montage which concentrates on the contradictory movements within the shot, Tonal montage based on the contradiction of color tones or emotional tones, Over tonal Montage depending on the over tones / under tones of color and Intellectual montage, consequential images juxtaposed and generating an intellectual idea. Battleship Potemkin made in 1925 carries all the five types of montages at different stages of the development of the film and hence is a text book for the Soviet Montage theory. The film is based on the incidents of 1905 revolution. The crew of a battleship revolts against the officers on account of bad meat served to them. The officers oppress the revolt and the leader of the rebellion is killed. But the re bellious crew captures the control of the ship which moves to the port of Odessa. The people of the port town join the rebels and start sending the badly needed supplies to the rebellious ship. Suddenly the military appears to take revenge against the people, and the people are shot down brutally on the steps of Odessa. The battle ship returns fire to the military head quarters. The guns are